Hello world!
Welcome to WordPress. This is your first post. Edit or delete it, then start writing!
PRODUCT
Drawing on the Right Side of the Brain: The Definitive, 4th Edition
Sale!
Product Description:
Price:
Original price was: $22.00.$13.19Current price is: $13.19.
Detailed description:
A revised edition of the classic bestselling how to draw book. A life-changing book, this fully revised and updated edition of Drawing on the Right Side of the Brain is destined to inspire generations of readers and artists to come.
Translated into more than seventeen languages, Drawing on the Right Side of the Brain is the world’s most widely used instructional drawing book. Whether you are drawing as a professional artist, as an artist in training, or as a hobby, this book will give you greater confidence in your ability and deepen your artistic perception, as well as foster a new appreciation of the world around you. This revised/updated fourth edition includes:
• a new introduction;
• crucial updates based on recent research on the brain’s plasticity and the enormous value of learning new skills/ utilizing the right hemisphere of the brain;
• new focus on how the ability to draw on the strengths of the right hemisphere can serve as an antidote to the increasing left-brain emphasis in American life-the worship of all that is linear, analytic, digital, etc.;
• an informative section that addresses recent research linking early childhood “scribbling” to later language development and the importance of parental encouragement of this activity;
• and new reproductions of master drawings throughout
Read more
Product group:
Categories: Arts & Photography
Product name:
Drawing on the Right Side of the Brain: The Definitive, 4th Edition
Price:
Original price was: $22.00.$13.19Current price is: $13.19.
David –
Timeless classic , thank you! <3
Sean Patrick Shetler –
“Drawing on the Right Side of the Brain: The Definitive, 4th Edition” by Betty Edwards is a groundbreaking guide that unlocks the secrets of artistic expression and creativity. With its innovative approach to drawing, this book has inspired countless aspiring artists to tap into their right-brain abilities and unleash their full creative potential.
From the very beginning, Edwards captivates readers with her unique perspective on drawing as a learnable skill rather than an innate talent. She introduces the concept of the “right side” of the brain as the seat of creativity and visual perception, challenging readers to embrace a new way of seeing the world around them.
One of the book’s most compelling aspects is its practical approach to teaching drawing techniques. Edwards provides step-by-step exercises and hands-on activities designed to help readers develop their drawing skills incrementally. By breaking down complex concepts into manageable tasks, she empowers even the most novice artist to achieve remarkable results.
Moreover, “Drawing on the Right Side of the Brain” is not just a technical manual; it is also a journey of self-discovery and personal growth. Edwards encourages readers to explore their own creativity and artistic vision, guiding them through exercises that stimulate imagination, intuition, and emotional expression.
Furthermore, the 4th edition of the book features updated content and additional resources, including new insights into the neuroscience of creativity and expanded chapters on topics such as composition, color theory, and drawing from memory. These enhancements make the book an invaluable resource for both beginners and experienced artists alike.
In conclusion, “Drawing on the Right Side of the Brain: The Definitive, 4th Edition” is a must-have resource for anyone seeking to unlock their creative potential and master the art of drawing. With its practical exercises, insightful teachings, and inspiring philosophy, this book has earned its reputation as a classic guide to drawing and a timeless source of inspiration for artists of all levels.
Cristina G. –
I often struggled to understand the drawing process from a cognitive perspective, which for me represented a sort of barrier for me being able to draw. Betty does a fantastic job of taking a step back and showing you how to approach drawing in a way which feels meditative, natural and almost necessary in today’s short attention span orientated world.
I am only half way through but have already found the book to be incredibly helpful to me and has already had a significant impact on my ability to draw, couldn’t recommend it enough.
Seda –
Ho iniziato con fatica i primi capitoli, ma ad esempio il disegno rovesciato a me viene peggio che copiandolo normalmente . Mi irrita abbastanza in generale, perché sembra che uno debba aver motivazione dal non saper disegnare o copiare un disegno (me chi lo dice che chi lo compra non sia capace o motivato ? ) Manca un insegnamento tecnico, rimane tutto un più o meno affidandosi alla percezione individuale. Invece di sprecare un capitolo con disegni dei bambini, potrebbe dare esempi di come si fa. Didatticamente non è nè organizzato né utile. Ovvio che se non si hanno nozioni di base non si può disegnare decentemente. Potrebbe ad esempio indirizzare a qualche libro di Duehrer sui volti e le proporzioni, reperibile online.
David –
Must say I am very satisfied with the quality of this particular book: it has hard cover, white paper with good print, text well arranged with a space for notes. At this price range, I find it’s good value for the money. Now I am only at the beginning of reading part,so can’t leave feedback about content so far. Some review mentioned that the cover is plain black and that was a deal breaker for those customers- it’s not a problem for me as I have adjusted addition to the cover and now I can keep it on or move away. Thanks Amazon for quick, convenient delivery and good service🙏
kstars –
This book definitely deserves five stars! I’ve read it before and I didn’t know it. Funny story: I had this book several years ago, and I just assumed that this would be a recent version or edition. I don’t have that book handy – the first one – because I have moved to a smaller place and it is in storage. So funny me – I bought the version I already had before so I could compare it with this supposed newer version? So I thought. Well because the link didn’t work to go to the Amazon page where this book is located, and since I saw no reviews on what I thought was the older book’s page, I now have three copies of the same book ha ha. It’s just as well because this book makes a perfect gift for anyone starting out in the art world.
Drawing skills are a essentials, and they come before anyone even thinks of doing any painting. I think that is why a book like this, covering a method of drawing as with right brain and left brain to learn the basics and the tricks of drawing well, would be such a complicated book. I’ve rarely seen a painting book that is this detailed. I do have them, I would like to find them, because attention to detail – as with drawing and painting hands – is so important and difficult to learn for the first time.
I’ve been in and out of the art scene for over 25 years, and I am not what I would consider an artist. However, because of books like this, (and videos) I merrily walked into a watercolor class for the first time the other day and painted better than almost anyone in the class. It really surprised me. I took informal classes for six months about 3 years ago – at a YMCA where a member who is an artist and teacher decided to teach in a spare room. She was really rude to me haha but I did learn some, just nothing like what I just painted. I’ve only have the basics of training. Most of my expertise is in Photoshop. In Photoshop the are tools for perspective and symmetry. Just reading this book as a review has refreshed my memory about my drawing days. I think it is an important distinction to make that I am doing digital art most of the time anyway. Somehow, book and video learning in traditional drawing and painting has helped me translate skills into digital painting. Not so with digital painting books I have read where it is assumed you need to learn the software from the very beginning, but still assume you are already a painter. Learning the drawing must come first, so I’ve been told. Though I don’t have any formal training in drawing or painting, and I’ve really studied about and practiced painting AND drawing at the same time, books such as this one are so handy to have so we can review the basics along with the added concept of left versus right brain thinking regarding drawing skills.
So for me, it is more of a reference, and I highly recommend this book as a gift to a young person just starting out in the art world. It is a precious classic for a reason. The techniques are solid and classical. This book covers drawing from so many different perspectives that I find it hard to believe anyone would read this, practice with this book, and come away empty-handed. In fact, I would expect the best of results of course varying from person to person.
Classical artists have been using most of these techniques for thousands of years. The right brain left brain drawing concept isn’t new because this author has been writing updates and additions on this book for many years. I’d be surprised if many artists are not familiar with it.
I get the feeling that this is an underutilized gem. And I am happy to review it – again – ha ha :-).
I have a new grandbaby, as my very mature son just had his first child. You can bet that she will get all of my art books. And her mother, already likes this one, because she gave a copy to me years ago. Instinctively, I was able to draw from the get-go, but to do it well – I have seen very few people accomplish that without some instruction. We are talking about perspective, composition, negative space, positive space, drawing with grids, using pencils and other tools for measurement when doing what I would consider to be live drawing, and more. So many people these days use photos as reference; and even then, one can benefit from the good old grid. There aren’t too many projects in this book really, unless you decide that you want to practice after every lesson or chapter. This is the way to really get value here.
I can still use this book right now, because in painting I am having trouble with foreshortening, which is drawing something at certain angles in perspective where the front needs to be drawn differently from the part farthest away, and you can only draw what you see as if it is the front of my hand in front of my other fingers and so on – as I understand it. I could never afford, nor could I manage a fine art degree, but darn it, I am doing pretty well just the same.
The reason why I am not explaining the left brain right brain concept. which is the cornerstone of this book, is because for me it is very confusing. I get dyslexia every time I try to think about the different brain hemispheres. So please don’t get me wrong; I am not discounting this sort of learning concept; I am simply saying that this book is just great on its own merits despite my not being able to understand the “different from the norm” concept within this particular classic.
This book is very well diagramed, and much can be learned by looking at images/drawings; for example, a drawing of the ocean, showing how the ripples are smaller and closer together as they recede up to the horizon line; just as when I am challenged with a landscape, it helps to know the relationship between one part and the other, since I didn’t grow up observing so well how nature works. Most artists I’ve talked to have been observing nature in a detailed and specific way most of their lives. This is not to say that no one will not be able to learn how to draw or paint really well instinctively, but it is rare. I am saying this to demonstrate how important it is to know these concepts from a book like this to get familiar with them. Or to just be introduced to them.
I am just as pleased to have a reunion with this book as I was to find that after three years of not painting with watercolor, I was able to do a landscape very well in watercolor when I didn’t ever learn to before . Highly recommended.
AudraB12 –
“Drawing on the Right Side of the Brain” is a transformative guide for artists and aspiring artists alike. This book beautifully empowers readers to break free from the shackles of overthinking and preconceived notions, allowing them to truly see and replicate what lies before them. By emphasizing the activation of perceptual centers and the importance of hand-eye coordination, it takes you on a journey away from ambiguity and paradox, steering you toward a clearer understanding of the world around you.
The book not only hones your technical skills but also encourages you to infuse your unique artistic flair, ensuring that your creations bear the unmistakable imprint of your personal style. This process is a wonderful exercise in mindfulness, as it redirects your focus from the cacophony of racing thoughts to the simple beauty of the visual world. By teaching you to concentrate on nameless shapes and curves, it liberates your creativity from the confines of preconceived notions, allowing you to replicate what you see with greater precision and authenticity. In essence, “Drawing on the Right Side of the Brain” is an invaluable companion for anyone seeking to unlock their full artistic potential and truly see the world around them.
M. A. Jones –
Este é um livro fundamental para quem não só aprender a desenhar, mas como a mente funciona, quando se agarra num lapis
Neska –
Extremely helpful to change how your mind sees things in order to draw realistically. My drawing has already improved significantly and I want to continue with her other books!